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Complicate Your Life With Violence

by L'Orange & Jeremiah Jae



Complicate Your Life with Violence answers eternal questions with an assassin’s bluntness: when do you fight and when do you flee, what does sanity look like in a sick world, how does one retain valor among the corrupt, and why does the union of one producer and one MC always yield the best music?

The complex anti-heroes at the center of this blood hailstorm are Jeremiah Jae and L’Orange -- the Chicago fracture rap demigod and the sampledelic North Carolina cubist. Sequels are usually fated to be repetitive: a ceaseless treadmill of repeated jokes and concepts. So for their sophomore effort on Mello Music Group, Jae and L’Orange went full True Detective, transporting their existential outlaws into an entirely novel universe.

Their debut, The Night Took Us In Like Family was a seedy shadowland that subverted the tropes of film noir. It was hailed by Pitchfork as a “seamless pairing,” while Okayplayer raved about its ability to conjure dark and treacherous vibes. But this is Marlowe meets Mad Max, where Jae’s furtive hero staggers through a futuristic dystopia that feels vaguely familiar. A landscape whose kill-or-be-killed binary is best summed up by the koan: “Nobody feels like a hero with a machine gun popping off at him.”

Over the course of this decade, L’Orange has become a master of weaving chimerical narratives through chopped up fragments of vintage films. If he originally slanted towards player piano jazz and old detective B-movies, he’s become adept at summoning any mood: afro-futurist space orbits and carnival whimsy, rain-slicked melancholy and straight up guard-your-grill boom-bap. With his latest slab, he incorporates nearly all of his sides -- creating something that feels somewhere between a Spaghetti Western on 25th Century Mars, Bogart starring in Blade Runner and a rap soundtrack to a Steve McQueen jailbreak film.

Since his early days on Flying Lotus’ Brainfeeder imprint, Jae has staked his sterling reputation on abstract poetics and caustic bars, wreathed in fog, static and high voltage. Yet this might be his finest performance. He inhabits the role of a man trying to escape a life of crime who gets caught and conscripted into an army. The historical setting of the record -- told through interspersed cinematic vignettes -- is used as a backdrop to examine the character’s perspective and the “war” that’s happening in his own mind.

The records were approached like an actor working on a film: with the artists researching, finding inspiration in books, film, and music. L’Orange even buzzed his hair and simulated a soldier’s workout routine to get into a zone during the writing and recording process. The result is suitably transformative.

On “Behavior Report,” Jae tells his loved ones that he’ll be back before the break of dawn while L’Orange creates a whirlwind of eerie instrumentation that leaves listeners feeling like the War of the Worlds is about to break out. “Say It” is a warped trick mirror nightmare, a call and response to the griots and ghosts of antiquity. “Dead Battery” combines filthy murder mystery basslines and concussive drums to Jae unfolding the stories of titans clashing. While “My Everything Is Bulletproof” finds the rapper interpolating old Puff Daddy verses to invoke dystopian scenarios of martial enemies lying in wake, the feeling of constant encroaching fear, and allusions to Behold A Pale White Horse. While L’Orange filters Sergio Leone through Madlib. The pair are backed by brilliant turns from the most enigmatic geniuses of the modern underground: Chester Watson, billy woods, Zeroh and Lojii.

The end result is something that fits few analogies: a record that exists in the warped dust of history but feels innately relevant to the schizophrenia of modern existence. It’s Jeremiah Jae and L’Orange on a great escape, finding no concrete answers but asking all the right questions -- a masterpiece that can be interpreted in a dozen different ways, glimpsed through a gun smoke haze, hard boiled but blood simple.


released October 4, 2019

All Songs Produced by L'Orange
All Songs Written by Jeremiah Jae

Mixed by Drew Vandenberg
Mastered by Joe Hutchinson

Illustration by David Lapham
Graphic Design by Ruff Mercy & Austin Hart
Album Cover Font by Jeremiah Jae

Executive Produced by Michael Tolle & Austin Hart

Sounds Beautiful Like the Truth
Mello Music Group, 2019


all rights reserved



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Track Name: Behavior Report
Keep dreaming bout peace
Sunny skies
On repeat
Landmines on the beach
Serenade under moonlight heat
Track Name: Dead Battery
Daffi on ya radio dial
Stay tuned to the base, yo you know we keep it raw
The powers got your back to the wall
But tonight we gonna party like it’s 1984
The empire strikes back
Heavy like an Aztec
Steady like the Ottoman
Ready with the hazmat
Black on the Star Line
Take you to the far side
The new world awaits to take and fire on
Welcome to Babylon
Where the streets ain’t calm
Since B.C we been reigning on
Feel it thunder storm
From Zeus when he clashed with the Titans
Leviathan biting, tidal waves from Poseidon
Across the landscape
That cause the earthquakes
The cost to cross gates
A price that’s man made
She’ll bargain for a trade
Or slaughter for the gang
Bring honor to her name
Or march into the flames

Would you fight for me?
Would you die for me?
Would you live for me?
Then come away with me

Daffi on ya radio dial
Stay tuned to the base, yo you know we keep it raw
The powers got your back to the wall
But tonight we gonna party like it’s 1984
Yea we here to take it back from the wack on the wax
From the front to back, Genocide on track
From the crack of the whip, to them bricks that you sold
Take it back, tell em we ain’t gonna take it more
The sound plays, in the street while they downplay
The message and the art reign harder than an autumn day
Birds flying over head
Leaves falling in the ground
Nature on a course
And man built the fort
Working on the clock
While his big brother watch
For the stock
If it drop, then you back to the block
Get shocked or keep it tame
Obey, fall into place
Bring honor to her name
Or march into the flames

Would you fight for me?
Would you die for me?
Would you live for me?
Then come away with me
Track Name: Clay Pigeons (feat. Billy Woods)
The lab on the land
Hidden deep beneath the soil
A clever frog, gnats by the pond
Not a false alarm
Really going off

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